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Karl Von Klein,
Matt's private mentor, adds the following:
"His technical facility
is smooth and controlled due to relaxed, close finger position. He
navigates nimbly through major, minor, chromatic, and blues scales.
His range is one of his most impressive skills, extending the standard
by a full octave. Matt commands the altissimo register at a highly
advanced level. This results from a well-developed embouchure, versatile
throat position, and pitch recognition. Supporting a full tone spanning
a wide dynamic spectrum, he adjusts pitch to maintain accurate intonation.
He recognizes and executes classical and jazz articulations, reads complex
syncopation in double, triple, odd and changing meters, and easily switches
between straight and swung eighth notes. All of these skills surface
tastefully from his extensive improvisation arsenal. Blues, jazz,
ballad, bebop, latin, rock and modal are among the styles he plays. |
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| He phrases
maturely within chord changes, utilizes varied elements of tension and
release, quotes melodies, creates rhythm, and takes chances beyond where
his ear leads. He performs confidently, often memorizing the music.
Additionally, Matt |
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composes with a keyboard,
programming multiple part into a computer for playback. His work
contains inventive chord changes drawing from major, minor, sevenths, and
diminished. His appetite for music has extended to the self-teaching
of the guitar and bass, and he also sings with the church choir.
Positive character and rich potential shine through his music." |